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One of the best Japanese Kanji dictionary.
悲 means "sadness, sorrow, grief."
Sadness - A feeling of sorrow or grief.
Grief - A deep sorrow or anguish caused by loss or misfortune.
Compassion - A feeling of sympathy and sorrow for the suffering or misfortune of another.
Mercy - Kindness or compassion shown towards someone whom it is within one's power to punish or harm.
A sad accident took place yesterday.
Please don't be sad any more.
She looked sad.
I suddenly became very sad.
The old man looks sad.
何をそんなに悲しんでいるの。
What makes you so sad?
これはなんと悲しい話だろう。
What a sad story this is !
I was more angry than sad.
Those were the saddest hours of my life.
She looked sad.
私にはそれが失望だか、不平だか、悲哀だか、解らなかったけれども、何しろ二の句の継げないほどに強いものだったので、私はそれぎり何もいう勇気が出なかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうしてその悲劇のどんなに先生にとって見惨なものであるかは相手の奥さんにまるで知れていなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その悲劇のためにむしろ生れ出たともいえる二人の恋愛については、先刻いった通りであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そういわれると、私悲しくなって仕様がないんです、涙が出てなおの事自分の悪い所が聞きたくなるんです」奥さんは眼の中に涙をいっぱい溜めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の死に対する想像的な悲哀が、ちょっと奥さんの胸を襲ったらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は夏郷里に帰って、煮え付くような蝉の声の中に凝と坐っていると、変に悲しい心持になる事がしばしばあった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「どうせ死ぬんだから、旨いものでも食って死ななくっちゃ」私には旨いものという父の言葉が滑稽にも悲酸にも聞こえた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
悲痛な風が田舎の隅まで吹いて来て、眠たそうな樹や草を震わせている最中に、突然私は一通の電報を先生から受け取った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
事件が起ってからそれまで泣く事を忘れていた私は、その時ようやく悲しい気分に誘われる事ができたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の胸はその悲しさのために、どのくらい寛ろいだか知れません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
苦痛と恐怖でぐいと握り締められた私の心に、一滴の潤を与えてくれたものは、その時の悲しさでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はこの幸福が最後に私を悲しい運命に連れて行く導火線ではなかろうかと思いました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.