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One of the best Japanese Kanji dictionary.
夜 means "night, evening."
Night - The time from sunset to sunrise.
Midnight - The middle of the night.
Late Night - The late hours of the night.
My father got home late last night.
Since i stayed up late , i'm very sleepy.
夜にそんなところへ行ってはいけません。
Don't go to such a place at night.
I could not sleep much last night.
Come over tonight. i will show you how.
Do you want to have sushi tonight?
In the evening , i have dinner at home with my family.
I stayed up much later when i was a student.
I didn't have a good time last night.
Can i see you tonight?
しかしいつでもというわけにはいかない」「今夜はいかがです」「今夜は好い心持だね」「これから毎晩少しずつ召し上がると宜ござんすよ」「そうはいかない」「召し上がって下さいよ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はそれを袂へ入れて、人通りの少ない夜寒の小路を曲折して賑やかな町の方へ急いだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
これは書くだけの必要があるから書いたのだが、実をいうと、奥さんに菓子を貰って帰るときの気分では、それほど当夜の会話を重く見ていなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はその翌日午飯を食いに学校から帰ってきて、昨夜机の上に載せて置いた菓子の包みを見ると、すぐその中からチョコレートを塗った鳶色のカステラを出して頬張った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
夜中にちょっと苦しいといって、細君を起したぎり、翌る朝はもう死んでいたんです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
玄関と門の間にあるこんもりした木犀の一株が、私の行手を塞ぐように、夜陰のうちに枝を張っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
父はその夜また気を更えて、客を呼ぶなら何日にするかと私の都合を聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
念のために枕元に坐って、濡手拭で父の頭を冷していた私は、九時|頃になってようやく形ばかりの夜食を済ました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
家のものは運命の宣告が、今日|下るか、今日下るかと思って、毎夜|床にはいった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
何かの拍子で眠れなかった時、病人の唸るような声を微かに聞いたと思い誤った私は、一|遍半夜に床を抜け出して、念のため父の枕元まで行ってみた事があった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の知ったものに、夜中職人と喧嘩をして、相手の頭へ下駄で傷を負わせたのがありました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の起きた時間は、正確に分らないのですけれども、もう夜明に間もなかった事だけは明らかです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.