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One of the best Japanese Kanji dictionary.
方 means "direction, way, side."
Direction - Facing, orientation, direction, angle.
Destination - Place to go.
Region - Countryside, area, certain region.
Shape - Square, rectangle, square shape.
Righteousness - Being honest, being proper.
Arrangement - Line up, line up in a row.
Comparison - Compare, contrast.
Method - Means, technique.
Timing - Suitable time.
Squaring - Multiplying the same number, square, square root.
Honorific - Title to call someone.
Responsibility - Person in charge.
I do not know how to drive a car.
A little more to the right , so !
She stood looking out toward the sea.
Both of the means are dangerous.
こちらの方がきれいだ。
This one is prettier.
I supported her even against my father.
You had better not smoke while on duty.
You had better leave there on monday.
コーヒーの方が好きです。
I like coffee better.
I see a red car ahead.
これは世間を憚かる遠慮というよりも、その方が私にとって自然だからである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
純粋の日本の浴衣を着ていた彼は、それを床几の上にすぽりと放り出したまま、腕組みをして海の方を向いて立っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その日本人は砂の上に落ちた手拭を拾い上げているところであったが、それを取り上げるや否や、すぐ頭を包んで、海の方へ歩き出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
すると先生は昨日と違って、一種の弧線を描いて、妙な方向から岸の方へ帰り始めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
賑かな町の方へ一|丁ほど歩くと、私も散歩がてら雑司ヶ谷へ行ってみる気になった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は墓地の手前にある苗畠の左側からはいって、両方に楓を植え付けた広い道を奥の方へ進んで行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
向うの方で凸凹の地面をならして新墓地を作っている男が、鍬の手を休めて私たちを見ていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
これからどこへ行くという目的のない私は、ただ先生の歩く方へ歩いて行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「すぐお宅へお帰りですか」「ええ別に寄る所もありませんから」二人はまた黙って南の方へ坂を下りた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あなたは外の方を向いて今に手を広げなければならなくなります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今に私の宅の方へは足が向かなくなります」先生はこういって淋しい笑い方をした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
これは奥さんに特色がないというよりも、特色を示す機会が来なかったのだと解釈する方が正当かも知れない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その方が淋しくなくって好いから」先生の宅は夫婦と下女だけであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「子供でもあると好いんですがね」と奥さんは私の方を向いていった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.