Share this link via
Or copy link
One of the best Japanese Kanji dictionary.
持 means "hold, possess, have."
To Hold, Carry - To take something in one's hands and keep it with oneself.
To wear - To attach something to oneself.
To Keep, Preserve - To protect and maintain something.
To support - To provide assistance and aid.
I've got time on my hands.
Bill has stock in that company.
Do you have any small change?
I have five here and as many again.
私はペンを持っている。
I have a pen.
This is the same car as i have.
He has a lot of books on history.
Do you have anything to eat?
Don't change your mind.
Please take one.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
海水着を持たない私にも持物を盗まれる恐れはあったので、私は海へはいるたびにその茶屋へ一切を脱ぎ棄てる事にしていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
若い私はその時|暗に相手も私と同じような感じを持っていはしまいかと疑った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし私はいつでも先生に付属した一部分のような心持で奥さんに対していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんは綺麗な眉を寄せて、私の半分ばかり注いで上げた盃を、唇の先へ持って行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしいつでもというわけにはいかない」「今夜はいかがです」「今夜は好い心持だね」「これから毎晩少しずつ召し上がると宜ござんすよ」「そうはいかない」「召し上がって下さいよ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
子供を持った事のないその時の私は、子供をただ蒼蠅いもののように考えていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
何にも持病はありません」「それでなぜ活動ができないんでしょう」「それが解らないのよ、あなた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の所では満足が得られない代りに危険もないが、――君、黒い長い髪で縛られた時の心持を知っていますか」私は想像で知っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大したものを持って行かれた家はほとんどなかったけれども、はいられた所では必ず何か取られた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は泥棒を待ち受けるような心持で、凝としながら気をどこかに配った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
泥棒が来るかと思って緊張しているから退屈でもありません」奥さんは手に紅茶茶碗を持ったまま、笑いながらそこに立っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ご退屈だろうと思って、お茶を入れて持って来たんですが、茶の間で宜しければあちらで上げますから」私は奥さんの後に尾いて書斎を出た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の所へ持って来る問題じゃないわ」「奥さん、私は真面目ですよ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれどもそれは懐かしい春の雲を眺めるような心持で、ただ漠然と夢みていたに過ぎなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.