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One of the best Japanese Kanji dictionary.
我 means "ego, self, i."
Myself - Refers to one's own thoughts and opinions, and the determination to stick to them.
Selfishness - Acting in one's own interests without considering the needs of others.
Stubbornness - Refers to the refusal to change one's opinion or course of action despite opposition or contrary evidence.
Single-mindedness - Refers to the focus on a single goal or purpose, without being distracted by other considerations.
We stood face to face.
I cannot put up with all that noise.
我々はそれらをあちこちさがした。
We looked for it here and there.
We regret his death.
He got hurt when he fell down.
We saw the lady carried away to the hospital.
The day is ours without doubt.
We should always keep our promise.
John can't bear the noise.
彼は我々のとなりにすんでいる。
He lives next door to us.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は今より一層|淋しい未来の私を我慢する代りに、淋しい今の私を我慢したいのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
自由と独立と己れとに充ちた現代に生れた我々は、その犠牲としてみんなこの淋しみを味わわなくてはならないでしょう」私はこういう覚悟をもっている先生に対して、いうべき言葉を知らなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「私は風邪ぐらいなら我慢しますが、それ以上の病気は真平です」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それでも着いた時は、床の上に胡坐をかいて、「みんなが心配するから、まあ我慢してこう凝としている。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうして我々は沈黙に鎖ざされた人のようにしばらく動かずにいた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その上年寄が二人ぎりで田舎にいるのは定めて心細いだろう、我々も子として遺憾の至りであるというような感傷的な文句さえ使った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あの様子じゃことによるとまだなかなか持つかも知れませんよ」兄と前後して着いた妹の夫の意見は、我々よりもよほど楽観的であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
我々は固より不断以上に調子を張り上げて、耳元へ口を寄せるようにしなければならなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
胡魔化されるのはどっちにしても同じでしょうけれども、載せられ方からいえば、従妹を貰わない方が、向うの思い通りにならないという点から見て、少しは私の我が通った事になるのですから。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
理由を考え出そうとしても、考え出せない私は、罪を女という一字に塗り付けて我慢した事もありました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.