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One of the best Japanese Kanji dictionary.
凝 means "to concentrate, to solidify, to congeal."
Solidify - To make something solid or firm.
Concentrate - To focus on something intently.
Gather - To collect or bring together.
Clench - To grip or hold tightly.
Stagnate - To remain in one place or state without moving or progressing.
Muscle Tension - When muscles become tight and rigid.
Intense Focus - To be completely absorbed in something.
Lingering Feeling - A feeling that remains after something has passed.
He has got baseball on the brain.
She is particular about her dress.
What are you into these days?
私の尻をおろした所は少し小高い丘の上で、そのすぐ傍がホテルの裏口になっていたので、私の凝としている間に、大分多くの男が塩を浴びに出て来たが、いずれも胴と腕と股は出していなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は泥棒を待ち受けるような心持で、凝としながら気をどこかに配った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それでも着いた時は、床の上に胡坐をかいて、「みんなが心配するから、まあ我慢してこう凝としている。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
父が凝と坐り込むようになると、やはり元の方が達者だったのだという気が起った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は夏郷里に帰って、煮え付くような蝉の声の中に凝と坐っていると、変に悲しい心持になる事がしばしばあった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
電車が通るようになれば自然|町並も変るし、その上に市区改正もあるし、東京が凝としている時は、まあ二六時中一分もないといっていいくらいです」私は仕方がないからいわないでいい事まで喋舌った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今までざわざわと動いていた私の胸が一度に凝結したように感じた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
暗いものを凝と見詰めて、その中からあなたの参考になるものをお攫みなさい。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
一年のうちで、七、八の二月をその中に包まれて、穴に入った蛇のように凝としているのは、私に取って何よりも温かい好い心持だったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は書物を読むのも散歩に出るのも厭だったので、ただ漠然と火鉢の縁に肱を載せて凝と顋を支えたなり考えていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は腋の下から出る気味のわるい汗が襯衣に滲み透るのを凝と我慢して動かずにいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しまいに私は凝としておられなくなりました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ただ凝としていられないだけでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は夢中に町の中を歩きながら、自分の室に凝と坐っている彼の容貌を始終眼の前に描き出しました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.