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One of the best Japanese Kanji dictionary.
挨 means "approach, draw near, push open."
Push - To press or push against something with force.
Open - To move or cause to move so that an opening or gap is revealed.
Repel - To push away or keep away from a particular place or person.
Compete - To strive to gain or win something by defeating or establishing superiority over others.
Press - To apply pressure or force to something.
Approach - To come near or nearer to someone or something in distance, time, or degree.
I greet my teacher on the street.
They paid their compliment to me.
He raised his hat when he saw me.
I haven't met him properly yet.
He went out without saying good-by.
けれども物をいい掛ける機会も、挨拶をする場合も、二人の間には起らなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生が私に示した時々の素気ない挨拶や冷淡に見える動作は、私を遠ざけようとする不快の表現ではなかったのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども先生の私に対する態度は初めて挨拶をした時も、懇意になったその後も、あまり変りはなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
二人は大きな金魚鉢の横から、「どうもお邪魔をしました」と挨拶した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
とにかく私は何とか挨拶すべきところを黙っていたのですから、私はこの怠慢の罪をあなたの前に謝したいと思います。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうしてこれなら大丈夫だというところをどこかに握ったのでしょう、いつでも引っ越して来て差支えないという挨拶を即坐に与えてくれました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
こうした邪気が予備的に私の自然を損なったためか、または私がまだ人慣れなかったためか、私は始めてそこのお嬢さんに会った時、へどもどした挨拶をしました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の方が早ければ、ただ彼の空室を通り抜けるだけですが、遅いと簡単な挨拶をして自分の部屋へはいるのを例にしていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私には気のせいかその簡単な挨拶が少し硬いように聞こえました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は暑くて草臥れて、それどころではありませんでしたから、ただ口の先で好い加減な挨拶をしていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
往来で会った時|挨拶をするくらいのものは多少ありましたが、それらだって決して歌留多などを取る柄ではなかったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はなぜだか知らないと挨拶するより外に仕方がありませんでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は食卓に坐りながら、言葉を惜しがる人のように、素気ない挨拶ばかりしていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.