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One of the best Japanese Kanji dictionary.
見 means "see, look at."
To see - To be able to see with one's eyes.
To meet - To come into contact with someone. To have an audience with someone.
To appear - To show oneself. To manifest. To go out into the world. To come out into the open.
In sight - In front of one's eyes.
Present - Now.
Her dress looked cheap.
Do not look out of the window.
Did you ever see such a film?
We see with our eyes.
あなたはテレビを見ますか。
Do you watch television?
きっと立ち見よ。
There'll be standing room only.
He kept an eye on them.
She stood looking out toward the sea.
I think of watching tv as a waste of time.
She looked around , but she couldn't see anything.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私がその掛茶屋で先生を見た時は、先生がちょうど着物を脱いでこれから海へ入ろうとするところであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
特別の事情のない限り、私はついに先生を見逃したかも知れなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それほど浜辺が混雑し、それほど私の頭が放漫であったにもかかわらず、私がすぐ先生を見付け出したのは、先生が一人の西洋人を伴れていたからである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そういう有様を目撃したばかりの私の眼には、猿股一つで済まして皆なの前に立っているこの西洋人がいかにも珍しく見えた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は単に好奇心のために、並んで浜辺を下りて行く二人の後姿を見守っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それで翌日もまた先生に会った時刻を見計らって、わざわざ掛茶屋まで出かけてみた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
周囲がいくら賑やかでも、それにはほとんど注意を払う様子が見えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生は白絣の上へ兵児帯を締めてから、眼鏡の失くなったのに気が付いたと見えて、急にそこいらを探し始めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしにやにや笑っている先生の顔を見た時、私は急に極りが悪くなった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は最後に先生に向かって、どこかで先生を見たように思うけれども、どうしても思い出せないといった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ところが先生はしばらく沈吟したあとで、「どうも君の顔には見覚えがありませんね。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生が私に示した時々の素気ない挨拶や冷淡に見える動作は、私を遠ざけようとする不快の表現ではなかったのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は往来で学生の顔を見るたびに新しい学年に対する希望と緊張とを感じた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.