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One of the best Japanese Kanji dictionary.
興 means "excitement, interest, enthusiasm."
To start something new - To begin something new or to start something up.
To raise or use - To raise or use something for a purpose.
To build - To construct or build something.
To become lively - To become lively or active.
To stand up - To stand up or rise up.
Enjoyment - To experience pleasure or joy.
Delight - To be delighted or to take pleasure in something.
Interest - To have an interest in something.
To enjoy - To take pleasure in something or to be happy about something.
She was very excited.
I am interested in japanese history.
Getting excited is not at all the same as getting angry.
What an interesting novel this is !
Politics didn't interest him.
I am busy , and i'm not interested in that , either.
ぼくは興味ありそうなふうをした。
I put on an air of interest.
She's only interested in fish and cockroaches.
I am not as interested in literature as you.
I'm not in the least interested in such things.
それが源因かどうかは疑問だが、私の興味は往来で出合う知りもしない女に向かって多く働くだけであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
始めのうちは珍しいので、この隠居じみた娯楽が私にも相当の興味を与えたが、少し時日が経つに伴れて、若い私の気力はそのくらいな刺戟で満足できなくなった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
かつて遊興のために往来をした覚えのない先生は、歓楽の交際から出る親しみ以上に、いつか私の頭に影響を与えていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
学校の先生に聞いた方が好いでしょう」先生は一時非常の読書家であったが、その後どういう訳か、前ほどこの方面に興味が働かなくなったようだと、かつて奥さんから聞いた事があるのを、私はその時ふと思い出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「先生はなぜ元のように書物に興味をもち得ないんですか」「なぜという訳もありませんが」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
彼はモハメッドと剣という言葉に大いなる興味をもっているようでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
もう年数もよほど経っていますし、それに私にはそれほど興味のない事ですから、判然とは覚えていませんが、何でもそこは日蓮の生れた村だとかいう話でした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
彼はモハメッドと剣という言葉に大いなる興味をもっているようでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
もう年数もよほど経っていますし、それに私にはそれほど興味のない事ですから、判然とは覚えていませんが、何でもそこは日蓮の生れた村だとかいう話でした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.