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One of the best Japanese Kanji dictionary.
返 means "return, give back."
Return - To come or go back to a place or person.
Repay - To give back something that was borrowed or owed.
Retreat - To move back or away from a place or situation.
Revert - To go back to a former state or condition.
You need not answer the letter.
できるだけ早くそれを返してほしい。
I want you to return it to me as soon as possible.
He didn't reply to my letter.
I'd like to have your answer right away.
I repeated the word several times for her.
As of today , we haven't had an answer from him.
Please give me your answer by return.
She repeated her name slowly.
The reply came after three days.
やってしまったことは取り返しがつかない。
What is done cannot be undone.
古い燻ぶり返った藁葺の間を通り抜けて磯へ下りると、この辺にこれほどの都会人種が住んでいるかと思うほど、避暑に来た男や女で砂の上が動いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
二|丁ほど沖へ出ると、先生は後ろを振り返って私に話し掛けた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はまた軽微な失望を繰り返しながら、それがために先生から離れて行く気にはなれなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「どうして……、どうして……」先生は同じ言葉を二|遍繰り返した」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その言葉は森閑とした昼の中に異様な調子をもって繰り返された。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だからなぜそうたびたび来るのかといって聞いたのです」「そりゃまたなぜです」私がこう聞き返した時、先生は何とも答えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「私は淋しい人間です」と先生はその晩またこの間の言葉を繰り返した」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そんならなぜあなたはそうたびたび私の宅へ来るのですか」ここでもこの間の言葉がまた先生の口から繰り返された。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の妻などは私より外にまるで頼りにするものがないんだから」先生の言葉はちょっとそこで途切れたが、別に私の返事を期待する様子もなく、すぐその続きへ移って行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうして自分が欺かれた返報に、残酷な復讐をするようになるものだから」「そりゃどういう意味ですか」「かつてはその人の膝の前に跪いたという記憶が、今度はその人の頭の上に足を載せさせようとするのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それは「どうして」と聞き返さずにはいられないようないい方であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.