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One of the best Japanese Kanji dictionary.
会 means "meeting, gathering, association."
Meet, Gather - To come together in one place.
Agree, Match - To be in agreement or to be in harmony.
Understand, Realize - To comprehend or to come to an understanding.
Point, Essential - The most important part of something.
Chance, Just Then - By chance or at that moment.
Certainly, Definitely - Without a doubt.
Count, Total - To add up or to calculate.
I don't want to see anybody today.
It's always delightful to see you.
I would like to see you before i leave.
Bill has stock in that company.
I met an american girl.
The company was in want of money.
Our meeting was quite accidental.
His company is under his control.
Our company is too top-heavy.
It is a privilege to meet you.
古い燻ぶり返った藁葺の間を通り抜けて磯へ下りると、この辺にこれほどの都会人種が住んでいるかと思うほど、避暑に来た男や女で砂の上が動いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それで翌日もまた先生に会った時刻を見計らって、わざわざ掛茶屋まで出かけてみた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども物をいい掛ける機会も、挨拶をする場合も、二人の間には起らなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生と掛茶屋で出会った時、先生は突然私に向かって、「君はまだ大分長くここにいるつもりですか」と聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうしてその上に彩られる大都会の空気が、記憶の復活に伴う強い刺戟と共に、濃く私の心を染め付けた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
二度来て二度とも会えなかった私は、その言葉を思い出して、理由もない不満をどこかに感じた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
――そう、それはいうはずがありませんね、始めて会ったあなたに。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生に会う度数が重なるにつれて、私はますます繁く先生の玄関へ足を運んだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「あなたは私に会ってもおそらくまだ淋しい気がどこかでしているでしょう」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の奥さんにはその前玄関で会った時、美しいという印象を受けた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
これは奥さんに特色がないというよりも、特色を示す機会が来なかったのだと解釈する方が正当かも知れない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.