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One of the best Japanese Kanji dictionary.
迷 means "lost, perplexed, bewildered."
To be lost - To be confused or disoriented, to not know which way to go.
To be perplexed - To be puzzled or bewildered, to be unable to make sense of something.
To be misled - To be deceived or tricked, to be given false information.
To be vague - To be unclear or indistinct, to not be able to make out the details.
Who has found a lost dog?
I was lost in the crowd.
One day i was lost in london.
ご迷惑をかけてすみません。
I'm sorry to trouble you.
I lost my way in new york.
ご迷惑をおかけしてすいません。
I'm sorry to trouble you.
迷子になってしまいますよ。
You'll get lost.
He got lost in the park.
He may have lost his way.
He got lost in the city.
それは迷惑とも嫌悪とも畏怖とも片付けられない微かな不安らしいものであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
――しかしお邪魔なんですか」「邪魔だとはいいません」なるほど迷惑という様子は、先生のどこにも見えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんは「私は……」と辞退しかけた後、迷惑そうにそれを受け取った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はどうしたものだろうと思って玄関先で迷ったが、すぐ決心をしてそのまま下宿へ帰った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それほど不信用なんですか」「私はお気の毒に思うのです」「気の毒だが信用されないとおっしゃるんですか」先生は迷惑そうに庭の方を向いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
小僧にいうと、いくらでも出してはくれるが、さてどれを選んでいいのか、買う段になっては、ただ迷うだけであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし先祖から譲られた迷信の塊りも、強い力で私の血の中に潜んでいたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
また迷いました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ただ判断に迷うばかりでなく、何でそんな妙な事をするかその意味が私には呑み込めなかったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だから私は信念と迷いの途中に立って、少しも動く事ができなくなってしまいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
嫁にやるか、聟を取るか、それにさえ迷っているのではなかろうかと思われるところもありました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はそれをKに対する私の嫉妬に帰していいものか、または私に対するお嬢さんの技巧と見傚してしかるべきものか、ちょっと分別に迷いました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それが知らない人から見ると、まるで返事に迷っているとしか思われないのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうして迷っているから自分で自分が分らなくなってしまったので、私に公平な批評を求めるより外に仕方がないといいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
彼は進んでいいか退いていいか、それに迷うのだと説明しました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.