Share this link via
Or copy link
One of the best Japanese Kanji dictionary.
赤 means "red."
Red - A color that is bright and vivid.
Bare - Unadorned or exposed.
Sincerity - Genuine feelings and emotions.
South - The direction of the south.
Summer - The color of summer.
Communism - A political ideology advocating a classless society.
Communist - A person who follows the ideology of communism.
She decided on the red coat.
赤いネクタイを買いました。
I bought a red tie.
Their baby has just started to crawl.
The french flag is blue , white and red.
I see a red car ahead.
I was bothered by the baby's crying.
Who does the baby take after?
The baby crept into the room.
You should not leave the baby alone.
The baby has been crying for almost ten minutes.
「書生時代よ」「書生時代から先生を知っていらっしゃったんですか」奥さんは急に薄赤い顔をした」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし薄赤い顔をした奥さんはそれより以上の話をしたくないようだったので、私の方でも深くは聞かずにおいた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その庭に、この間まで重そうな赤い強い色をぽたぽた点じていた椿の花はもう一つも見えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それからの私はほとんど論文に祟られた精神病者のように眼を赤くして苦しんだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私のために赤い飯を炊いて客をするという相談が父と母の間に起った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はひとり門の外へ出て、黒いひらひらと、白いめりんすの地と、地のなかに染め出した赤い日の丸の色とを眺めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「なに今に治ったら赤ん坊の顔でも見に、久しぶりにこっちから出掛けるから差支えない」ともいっていた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その時正直な私は少し顔を赤らめて、向うの言葉を否定しました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
赤い色だの藍の色だの、普通|市場に上らないような色をした小魚が、透き通る波の中をあちらこちらと泳いでいるのが鮮やかに指さされました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私も冷たい手を早く赤い炭の上に翳そうと思って、急いで自分の室の仕切りを開けました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
もしKがその人であったなら、私はおそらく彼の前に赤面したでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
勿論、右の手では、赤く頬に膿を持った大きな面皰を気にしながら、聞いているのである。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.