Share this link via
Or copy link
One of the best Japanese Kanji dictionary.
案 means "plan, idea, proposal."
Desk, Table - A piece of furniture used for writing or working on.
Thinking, Researching - The act of considering or examining something carefully.
Idea, Plan - A thought or suggestion as to a possible course of action.
Document, Official Paper - A written or printed paper providing information or evidence.
I'm against the bill.
He was kind enough to show me the way.
Your paper contains too many mistakes.
My boss turned down his proposal.
I collected this proposal.
Are you for or against my plan?
I suggested that we should start at once.
He took the trouble to show me the way to the station.
Unfortunately it will be impossible for us to accept your proposal.
I suggested going for a walk.
ある日私がいつもの通り、先生の玄関から案内を頼もうとすると、座敷の方でだれかの話し声がした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「時間に後れると悪いって、つい今しがた出掛けました」といった奥さんは、私を先生の書斎へ案内した」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
中 両親と私宅へ帰って案外に思ったのは、父の元気がこの前見た時と大して変っていない事であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
どうも気分より健康の方が悪くなって行くらしい」私はこういって、心のうちでまた遠くから相当の医者でも呼んで、一つ見せようかしらと思案した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は思案の結果、市におる中学の旧友に頼んで、私の受け取ったものを、すべて金の形に変えようとしました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お嬢さんは学校へ行く上に、花だの琴だのを習っているんだから、定めて忙しかろうと思うと、それがまた案外なもので、いくらでも時間に余裕をもっているように見えました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それから若い男だろうか年輩の人だろうかと思案してみるのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ところが坊さんというものは案外|丁寧なもので、広い立派な座敷へ私たちを通して、すぐ会ってくれました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
Kの自白に一段落が付いた今となって、こっちからまた同じ事を切り出すのは、どう思案しても変でした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は思案の結果、市におる中学の旧友に頼んで、私の受け取ったものを、すべて金の形に変えようとしました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お嬢さんは学校へ行く上に、花だの琴だのを習っているんだから、定めて忙しかろうと思うと、それがまた案外なもので、いくらでも時間に余裕をもっているように見えました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それから若い男だろうか年輩の人だろうかと思案してみるのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ところが坊さんというものは案外|丁寧なもので、広い立派な座敷へ私たちを通して、すぐ会ってくれました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
Kの自白に一段落が付いた今となって、こっちからまた同じ事を切り出すのは、どう思案しても変でした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.