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One of the best Japanese Kanji dictionary.
舎 means "house, cottage, hut."
House - A building or residence.
Inn - A place to stay overnight.
Rest - To take a break or relax.
Distance - The distance a military unit can travel in one day, approximately thirty miles.
Humility - A term used to express humility for oneself or one's family.
Place - To put something in a certain location.
Discard - To throw away.
Forgive - To allow and release someone.
Leave - To put something in a certain place and leave it there.
They went down to the country.
I'm a country boy now.
I like to walk in the country.
He set fire to the school building.
You must not run in the school buildings.
We spent a quiet day in the country.
Her mother lives in the country all by herself.
My father lives in the country.
I go to the country every summer.
They went down to the country.
大抵|田舎者ですから」「田舎者はなぜ悪くないんですか」私はこの追窮に苦しんだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は電車の中で汗を拭きながら、他の時間と手数に気の毒という観念をまるでもっていない田舎者を憎らしく思った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
無論和製の下等な品に過ぎなかったが、それでも金具やなどがぴかぴかしているので、田舎ものを威嚇かすには充分であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その上年寄が二人ぎりで田舎にいるのは定めて心細いだろう、我々も子として遺憾の至りであるというような感傷的な文句さえ使った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はしまいに父の無知から出る田舎臭いところに不快を感じ出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
おれもこの分じゃもう長い事もあるまいよ、おれが死んだら、お前はどうする、一人でこの家にいる気かなんて」私は急に父がいなくなって母一人が取り残された時の、古い広い田舎家を想像して見た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「あんまり仰山な事は止してください」私は田舎の客が嫌いだった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
新聞紙ですぐ日本中へ知れ渡ったこの事件は、一軒の田舎家のうちに多少の曲折を経てようやく纏まろうとした私の卒業祝いを、塵のごとくに吹き払った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
時間に束縛を許さない悠長な田舎に帰った私は、お蔭で好もしくない社交上の苦痛から救われたも同じ事であったが、私を理解しない母は少しもそこに気が付いていないらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
永年住み古した田舎家の中に、たった一人取り残されそうな母を描き出す父の想像はもとより淋しいに違いなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その頃の新聞は実際|田舎ものには日ごとに待ち受けられるような記事ばかりあった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
悲痛な風が田舎の隅まで吹いて来て、眠たそうな樹や草を震わせている最中に、突然私は一通の電報を先生から受け取った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「本を読むだけなら、田舎でも充分できるし、それに働く必要もなくなるし、ちょうど好いだろう」「兄さんが帰って来るのが順ですね」と私がいった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
家は田舎にありましたけれども、二|里ばかり隔たった市、――その市には叔父が住んでいたのです、――その市から時々道具屋が懸物だの、香炉だのを持って、わざわざ父に見せに来ました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あなたの郷里でも同じ事だろうと思いますが、田舎では由緒のある家を、相続人があるのに壊したり売ったりするのは大事件です。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
学校へ出る子供などは平生おそらく市の方にいたのでしょうが、これも休暇のために田舎へ遊び半分といった格で引き取られていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.